On 10 December 1830, Michael Faraday(1791-1867)
gives a lecture at the Royal Institution. The publication appears
in February 1831: "On a peculiar Class of Optical Illusions". Continuing
on what Peter Mark Roget (1779 - 1869) had published in the Philosophical
Transactions, he describes two parallel discs, revolving on the
same axis, in opposite directions, each having 16 cogs. When viewed
in a mirror a stationary image is seen. He does not refer to Plateau's
work, done before 1831 and which had been published in the Correspondance
mathémathique et physique. Later Faraday writes that the
honour is due to Plateau.
Draft for a phenakistiscope disc representing a pirouetting
J. Plateau, Corresp. Math. Phys. 1832 VII p.291
In "Sur un nouveau genre d'illusions d'optique", Plateau describes
the construction and the action of a disc with 16 slits and 16 intermediate
sectors. When 16 identical drawings are put in the sectors, one sees
a stationary image, when looking through the slits at the revolving
disc in a mirror. This is in fact the experiment of Faraday. The brilliant
contribution of Plateau comes when in stead of putting 16 identical
images in the sectors he draws 16 images, which change little by little.
Because of the visual persistence the images seen in swift succession
will fade into each other and a suggestion of movement is created.
It is for this reason that Joseph Plateau is cited as the precursor
of the movie, more accurately he is the precursor of the animation
of the use of the phenakistiscope Photo MD,
Museum for the History of Sciences, Ghent
Phenakistiscope discs A small selection of the rich collection of phenakistiscope
discs in the Museum for the History Sciences of the University Ghent.
Joseph Plateau and the artist-painter J.B. Madou
Melanie Christine Lannuyer (1808-1896), stepsister
of Quetelet marries the painter Jean Baptiste Madou (1796-1877)
in 1833. In this way Plateau gets into contact with Madou, a relationship
that is not just superficial, since a real collaboration between
the scientist and the artist develops.
Two discs (a phenakistiscope-anorthoscope combination)
for which the painter J.B. Madou drew the first image are extant.
One depicts a monk, the other the head of a devil. Plateau then
painstakingly derives the other images:
de nos grands artistes, M. Madou, a bien voulu dessiner, à
ma prière, le modèle de la tête au moment où
elle souffle avec le plus de force. J'ai transporté ensuite
ce dessin dans l'un des compartiments du disque, en augmentant les
dimensions angulaires de toutes les parties dans le rapport de 4
à 5, puis je l'ai modifié convenablement dans les
autres compartiments, et j'ai apporté les plus grands soins
à l'exécution de ces figures.", writes Plateau.
Collection J.Plateau, Gent.
Disc with flower and bee.
Of this disc we know for sure that Joseph Plateau himself has drawn
it by hand. The precision of the drawing is not perfect, and thus
the animation is not fluent.
Collection J.Plateau, Ghent
It is remarkable that in the original paper the discs and the experiment
itself are described, but they receive no name. It is only in a later
paper in 1831 "Des illusions optiques sur lesquelles se fonde le petit
appareil appelé récemment Phénakisticope" that a
name is introduced. It is not clear who introduced the name "phénakisticope".
The title of the paper suggests that it was not Joseph Plateau himself.
Ackerman in London sells the discs in 1833 under the name "Fantascope",
Alphonse Giroux in Paris introduces them first as "phénakisticope",
later as "phénakistiscope". Plateau himself also uses the term
"phénakisticope". To day the spelling "phenakistiscope" is preferred.
Detail of the original hand-coloured disc compared
to a printed version.
The figure which is completely red is a hand-coloured draft for a
disc. The red-and-blue figure is the printed version by Ackermann
(London). Only the first discs printed by Ackermann bear the mention
"by prof. Plateau".